Praise for The Gilded Edge One of Monterey County Weekly’s 21 Most Important Books of 2021 | One of Bustle’s 10 Books to Read if You Aren’t Over House of Gucci | One of Artnet’s 20 Books About Art and the Art World to Keep You Reading Well Into the New Year “Prendergast blows away that sentimental mist with her tenacious research and humorous asides… The Gilded Edge is a book that grapples with the difficult task of retrieving women’s lives from incomplete or distorted archival records. As for any romantic notions that readers may hold of what California Bohemia was like in the early 20th century, Ms. Prendergast’s book will blow them away.‘ —Julia Flynn Siler for The Wall Street Journal ‚Ultimately, The Gilded Edge takes on the cast of a great detective novel…[An] unpredictable and addictive story.” —Lorraine Berry for Los Angeles times ‚The Gilded Edge is a compelling read from start to finish. Gripping, suspenseful, cinematic. This is narrative nonfiction at its best.‘ —Lindsey Fitzharris, Bestselling Author of The Butchering Art “ The Gilded Edge is a gripping tale set in the bohemian culture of Gilded Age California. Prendergast paints an electrifying portrait of a tragic love triangle, featuring the beautiful young poet, Nora May French, her counterpoint, the pragmatic Carrie Sterling, and Carrie’s philandering husband, George. With skill, humor, and biting insight, Prendergast reveals the cost of being a woman in a world dominated by men, placing the stories of the women center stage. A brilliant historian, Prendergast also tells the story of her own quest to find out what really happened, including herself in the story in surprising and fascinating ways. A page turner, The Gilded Edge reads like a mystery novel. A poignant and fascinating story of the past, but also a story of the writer herself.” —Charlotte Gordon, Author of Romantic Outlaws: The Extraordinary Lives of Mary Wollstonecraft and Mary Shelley, The Woman Who Named God, and Mistress Bradstreet “What a story! With the eye of a detective, Catherine Prendergast has brilliantly pieced together the shocking history of the birth of the famed Carmel-By-the-Sea, an early mission turned artists’ colony founded in the early 1900s in Central coast California, where the literary elite and hangers-on fashioned a Bohemian existence rife with alcohol, sex, jealousy, drama—loads of it—deceit and suicide. Prendergast’s vivid storytelling draws you into the debauchery, weaving the poetry and words of the famous and not-so-famous into a narrative that challenges the sanitized version of Carmel’s founding. The women, she discovered, paid the price in those early years in lost lives, careers, ruined reputations, and broken marriages while the men achieved greater accolades. Prendergast puts those women back in the center of the story where they belong, fueling a breathtaking tale about the real lives of the “New Woman” of the early 20th century.” —Kate Clifford Larson, New York Times bestselling author of Rosemary: The Hidden Kennedy Daughter ‚Catherine Prendergast so vividly recreates the bohemian circles of early 20th century California that I felt transported back in time, witnessing first-hand the challenges, triumphs, and tragedies of Nora May French and Carrie Sterling, her brave and brazen heroines. The Gilded Edge is a highly evocative and unforgettable read.‘ —Abbott Kahler, New York Times bestselling author (as Karen Abbott) of The Ghosts of Eden Park ‚The text reads like a dramatic novel fueled by sex, alcohol, and quests for fame and fortune…. A well-rendered, tragic tale that speaks to the struggles of women trying to find their places in society.‘ —Kirkus Reviews “We’re living in a second Gilded Age, so this feels pretty relevant. There’s a love triangle, there’s poetry, there’s social reform movements, there’s a real estate developer; it’s just got All the Things. I also love a story where it was HUGE in the news at the time, and then almost no one today has heard of it. This is one of those!” —Book Riot “Life in Carmel among its bohemian artists is a captivating subject, but Prendergast deepens it by entering the narrative to relay the difficulties she encountered researching Carrie and Nora, two fascinating women whose lives were largely buried in archives devoted to the men in their circle… Prendergast’s vivid history offers a sobering take on a romanticized time and place in which the men were lauded while the women were nearly erased.” —Booklist ‚This punchy feminist tribute offers a fascinating look at two forgotten women of the Gilded Age.‘ — Publishers Weekly “Explaining the book’s subtitle would constitute a spoiler. The narrative is such a compelling and engaging read, it would be a shame to deny readers the pleasures of exploring it.” —Carmel Magazine ‚For a book built around suicides, The Gilded Edge is pulsing with life. …Part of the energy comes from the author’s palpable outrage, which emerges in otherwise chatty interludes that chart her efforts to uncover the real history behind a tale of scandal and tragedy.‘ —AirMail ‚Prendergast gives readers an inside look at what went on behind the writing… This well-organized biography reads almost like historical fiction; readers are reminded that this is a true story when Prendergast inserts her witty intellectual commentary.‘ —Library Journal ‚Part detective work, part narrative nonfiction, combined with Prendergast’s personal observations about what she learned — [ The Gilded Edge] is an indispensable corrective to romantic myths of the early 20th century and our present day.‘ — The Nob Hill Gazette ‚Prendergast’s book is a master class in research. Throughout, she sporadically reflects on the misogynist injustice imbedded even in seemingly innocuous things like archival structure. Each woman—and Nora May particularly—was exceptional on their own, but their histories were intentionally (and in some cases maliciously) folded into the records of the era’s famous men. The methodic persistence required to compile such a complete and compelling account is truly noteworthy.” —Holly Dowell, WORD Bookstores
ISBN: 978-0-593-18292-5
