There is an infinite quantity of references around the photographic representation of Havana. Cañibano is interested in its architecture as it dialogues with the human being. The city emerges as the mirror of desires for the voyeuristic lens that follows the free wandering of the next person with its poetic charge: this is the Havana in times of leisure, where there are festivals, romance, rest and the gestures of socialisation. He can catch them on the invisible stages of the street or indoors where he sometimes peers in by candlelight.
ISBN: 978-84-15-30382-4
