During the years 1713/14, when he held the position of court organist in Weimar, Bach arranged a large number of concertos by contemporary composers for keyboard or organ solo. More than 20 years later, in 1735, he published his Concerto in the Italian Style: a truly original work that can confidently be described as his “summa summarum;” the climax of this genre. The autograph is no longer extant, which means that for Henle’s Urtext edition, the first print – corrected by Bach – served as the main source. The forte and piano markings found in the work signalize the alternation between imaginary tutti and solo sections.
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